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Students are taught how gender, class, ethnicity, aesthetics, politics, religion and technology link to the world of textile arts and quilt making. Programs and workshops are provided here too with the museum a leader in the field of quilt studies. ![]() The group can also use the Education Seminar Room for a meeting with refreshments or box lunches. Behind the scenes group tours can also be booked in advance for a fee, which will include a viewing of quilts displayed in the collections care work room, a brief presentation about looking after the collection, and a question and answer session with a member of staff. Various guided tours are available at the museum included free exhibition tours lasting about one hour, which are offered throughout the year on Wednesdays at 11am and Saturday at 11am and 1pm. ![]() There are approximately 50 to 75 quilts displayed at any one time in the gallery, whereas on the virtual gallery guests can view hundreds of quilts. Visits here can generally take at least 90 minutes and give visitors the opportunity to view the many quilts on display, take the optional audio tour, look at the virtual gallery and watch what happens in the Conservation Work Room. The museum is located within the Department of Textiles, Clothing and Design in the College of Education and Human Science at the University of Nebraska-Lincoln. Now the collection is the largest in the world with over 2,300 quilts, and the center has become a leader in quilt studies having produced several publications. The James are large collectors of quilts and they also donated $1 million toward a $3 million endowment fund to establish the Center. The museum aims to collect, preserve, study, exhibit, and promote discovery of quilts and quilt making traditions from many cultures, countries, and times.Ī large gift of 950 quilts worth an estimated $6 million from Nebraskan natives Ardis and Robert James helped start the International Quilt Study Center in 1997. It opens from 10am to 4.30pm Tuesday to Saturday and 1pm to 4.30pm on Sundays. The International Quilt Study Center and Museum is situated at North 33rd Street in Lincoln, Nebraska and is housed on the campus of the University of Nebraska-Lincoln. Just doing those 4 games at once felt so much more stable, because if any shenanigans happens with one publisher, we would still have three sources of revenue. But we had all these demos from these game jams we'd done, and we took them on the road and got all four of them signed and that's really what saved the company, to tell the truth. "When EA cancelled Brutal Legend 2, we didn't have anything else in the works, or any money or contacts to ensure this new income, so it was scary for sure. "That's what you would call a pivot!" jokes Schafer. "I'm not that interested in doing a sequel to anything after Psychonauts 2" Tim Schafer Once we had Jack, it just gave us the legitimacy to do everything else." Back in Blackīrutal Legend launched to largely positive reviews from the press and players alike, and remains Double Fine's best-selling game to date, but - despite the warm response - EA canned development of a sequel well into its pre-production stage at Double Fine in 2010, at which point the studio split off its workflow into development of four separate indie projects. So I was excited about talking to him, and then as soon as we showed him the concept art and got talking about the character, he was in from the get go. "The way Jack approaches Tenacious D, where it's like they're not taking it too seriously, except they're taking it really fucking seriously… that's the kind of balance between comedy and drama that we wanted for Brutal Legend. It's no secret that the game's protagonist, Eddie Riggs, was inspired by the all-dancing, always singing musician turned actor-comedian (and, more recently, successful YouTube personality), so when Schafer met with Black to see if he'd be interested in the part, excitement was high. ![]() Of course, we can't talk about Brutal Legend without talking about Jack. It was surreal! These guys don't have the long and esteemed career they've had without being genuinely nice and professional people." Turns out it was Rob on the other line, saying he's going to be ten minutes late and profusely apologize for it in this polite, gentlemanly manner. "I remember waiting in the studio one day for Rob Halford, and I get this phone call from an unrecognised number on my phone. ![]() the fact that we got them in the game was incredible." They're such talented people who really think about how to create an image and a character and how to fit their music into that character, and so growing up loving Judas Priest and Rob Halford. "There's this image of rockstars as rebellious and difficult to work with, but as soon as they recognise you as a creative person, it's like you're just putting on a show together. For Schafer, himself a longtime headbanger, getting to work alongside these icons of the music industry was nothing less than a dream come true. In addition to Jack Black, the campaign featured the voices and likenesses of Ozzy Osbourne, Lemmy Kilmister, Rob Halford, and Lita Ford, all of whom came to the studio to record lines for their in-game counterparts. Of course, it wasn't just licensed songs that gave Brutal Legend its authority amongst the metalhead crowd. Hands-on with Psychonauts 2: A sequel that delights in the chaos of its mind-bending mischief That whole series of events was one of the main inspirations for wanting to be independent later I didn't want to take any of the team through that ever again." Then they disappeared, and there were lawyers involved, and it really got ugly. When Vivendi merged with Activision, all of the great people that we had been working with and had originally greenlit our game were gone, replaced by some new people who were like 'Who are you guys?'. "It was very traumatic, and hadn't been handled in the best way either. "That day was one of the only times I actually said 'I need to go across the street and get a drink right now!'", admits Schafer. Without warning, Double Fine's new publishing partner then decided to drop Brutal Legend from its portfolio, despite the years of development time and effort that had already gone into making the title. The project had originally struck a publishing deal with Vivendi early on, but in 2008 the company's game division was acquired by Activision Blizzard. For a variety of reasons, Double Fine has maintained a decidedly indie focus ever since and, listening to Schafer's recollections of Brutal Legend's turbulent development, you can understand why. ![]() ![]() It was sleeker and more angular, but it wasn’t my favorite. The subsequent version of Magic Keyboard got rid of the battery compartment and instead replaced it with an internal battery. Sadly, it is being relegated to the retirement drawer.Ībove: Version 1, 2, and 3 of Apple’s Magic Keyboards.įor me, that was one of the best-designed keyboards - the battery compartment gave it a slant at a nice comfortable angle and allowed you to type for long periods. For a while, I have used my older Apple Keyboard - the one that used AA batteries. I prefer the standalone Magic Keyboard with my iPad versus the heavier, more expensive $350 Magic Keyboard for iPad. Incase you were wondering, the TouchID doesn’t work with M1 iPad Pro, but it works as a lightweight replacement for my retiring V1 Magic Keyboard. Why? I wanted something that would work well with my home machine and my M1-powered 12.9 iPad Pro. Also, instead of getting one with a numeric keypad, I ordered a smaller non-numeric version. You can use the new Magic Keyboard with the Intel-based Macs, but the Touch ID doesn’t work with those machines. The new keyboard(s) is designed to work with devices powered by the M1 chips, and you need the latest version of Apple’s operating system. Or at least that’s the excuse I am using to justify spending a whopping $149 on the new Magic Keyboard with TouchID. It has developed a certain patina - which is great on leather accessories but not as appealing on a keyboard. I mean, there is nothing wrong with it - just that the keys have become too soft. territories, please call Goldman Sachs at 87 with questions about Apple Card.After five years of daily usage, the keyboard that came with my 2017 iMac Pro started to show its age. Apple Card is subject to credit approval, available only for qualifying applicants in the United States, and issued by Goldman Sachs Bank USA, Salt Lake City Branch. To access and use all Apple Card features and products available only to Apple Card users, you must add Apple Card to Wallet on an iPhone or iPad that supports and has the latest version of iOS or iPadOS. The last month’s payment for each product will be the product’s purchase price, less all other payments at the monthly payment amount. ACMI is not available for purchases made online at special storefronts. See the Apple Card Customer Agreement for more information. Taxes and shipping are not included in ACMI and are subject to your card’s variable APR. * Monthly pricing is available when you select Apple Card Monthly Installments (ACMI) as payment type at checkout at Apple, and is subject to credit approval and credit limit. iPhone activation required on iPhone purchases made at an Apple Store with one of these national carriers: AT&T, Verizon, or T-Mobile. ACMI is not available for purchases made online at the following special stores: Apple Employee Purchase Plan participating corporate Employee Purchase Programs Apple at Work for small businesses Government, and Veterans and Military Purchase Programs, or on refurbished devices. If you choose the pay-in-full or one-time-payment option for an ACMI-eligible purchase instead of choosing ACMI as the payment option at checkout, that purchase will be subject to the variable APR assigned to your Apple Card. Variable APRs for Apple Card other than ACMI range from 15.74% to 26.74% based on creditworthiness. See for more information about eligible products. to select at checkout for certain Apple products purchased at Apple Store locations,, the Apple Store app, or by calling 1-800-MY-APPLE, and is subject to credit approval and credit limit. ◊ Apple Card Monthly Installments (ACMI) is a 0% APR payment option available only in the U.S. ![]() $150 dollars for something worse than notepad * Customizable Reporting - Final Draft offers seven different reports for production including Scene, Character, and Location reports. Great for table reads or tracking a character’s dialogue throughout your script. * Character Highlighting – Easily see characters’ dialogue in color. * Colored Production Pages for Revisions - Colored border allows for writing ease, with solid color production pages in PDF for distribution. * Page Locking - Omit scenes, lock pages and A-pages, and set revision colors. Save different revisions for production purposes. * Revision Mode - Revise your script as often as you'd like. * Title Page - Create and easily include a professional Title Page with your script. *PDF Import - Import a PDF and convert it into a fully editable Final Draft file. *Track Changes - Keep a record of edits to your script then choose whether to accept or reject them. *Focus Mode - Eliminate distractions and get down to business. 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Send Index Card content directly to the script. Color-code and move index cards to easily organize your scenes. * Index Cards - Enter plot points, locations, comments, or notes. ![]() * Navigator – View, sort and filter the important details of your Scenes, Scriptnotes and Characters. * Scene View - Outline your script and reorder scenes using a simple drag-and-drop interface. Works seamlessly with the Final Draft Mobile app for iPhone and iPad (sold separately). Featuring over 300 screen, stage, graphic novel and podcast templates, Final Draft streamlines your writing and editing process by automatically paginating and formatting scripts to entertainment industry standards, saving you time to focus on what you do best. Trusted by studios and recommended by prominent filmmakers worldwide, including Guillermo del Toro, David Lynch, Aaron Sorkin, and Sofia Coppola, Final Draft gives writers the tools and freedom to explore, create, collaborate, and automatically format stories, transforming ideas into scripts, stage plays, new media and more. Final Draft 12 is here to bring your ideas to life. ![]() She excels in malak artes where she focuses on Fire and Water elements to fire off powerful blasts.Ī black-haired man wearing samurai garb who, he became a Daemon during the events of the Scarlet Night but managed to retain his humanity and sanity. Magilou is an extroverted and chatty woman, utilising slow but wide-ranging attacks. She is a mysterious woman who introduces herself as a “great sorceress” and the “Head of Menagerie”, but she is more known for “unlicensed witchcraft”. He fights using paper sheets, utilising magic attacks from a distance. Velvet turns the tables by capturing the Malak – she names him after her dead brother, and as the game progresses he moves from weapon to individual as he interacts with the team. He first appears as a Malak serving under an Exorcist, where he assists in stopping Velvet. She utilises a spear to attack enemies.Ī 10-year-old boy of the Malak race who is strangely similar in appearance to Velvet’s deceased brother. After a certain event in the game, Eleanor joins Velvet and her team to ‘discover the truth behind this world’. She joins the Abbey as an Exorcist, keeping the world safe from daemons through extermination, but her kind nature clashes with the need to exterminate Daemons indiscriminately. The appearance and name foreshadow his eventual fate as a dragon, which you see in Tales of Zesteria.Ī compassionate, caring woman, she lost people precious to her during the Scarlet Night event. He also has a battle action – known as Break Soul in the game – called Draconic Drive, causing him to sprout dark wings. Eizen fights using his fists for close-quarters combat and can also use malak artes to strike from a distance that are centered on Wind and Earth. He is also the brother of the character Edna from Tales of Zesteria. ![]() Known as the “Reaper”, he is the skipper of Aifread’s pirates, who is on a search for his missing captain, Van Aifread, on the ship called the Van Eltia. She fights with a blade mounted on her right-hand gauntlet, feet, and her demonic left arm which is usually wrapped in bandages.Ī man who, despite his appearance, is actually about 1,000-years-old. When Velvet finally escapes her prison, she vows that she will use what or whoever to accomplish her goal or revenge. Her conversion to a Daemon meant she was thrown in prison, where she spent three years eating Daemons. Velvet tried to prevent the sacrifice, but her attempt to so saw her left arm become something akin to a Daemon, which allows her to absorb the powers of Daemons and other creatures. The first female main protagonist of the series, she is a 19-year-old female who seeks to kill Artorius, the head of the Abbey and Exorcists, as three years prior to the game’s story he sacrificed Velvet’s younger brother in order to gain the power to defeat the Daemonblight and the Daemons it creates. Thanks to the kind folk at Bandai Namco, we have some information to give you a heads up on the characters you will encounter on this journey! Inside the Holy Midgand Empire, there exists an political and religious faction known as the Abbey, who employ Exorcists to purge the world of Daemons and bring peace to the world…no matter how far they must go. The world is also littered with an abundance of monsters who roam the lands. There are three species that live here the Humans (who make up a majority of the population), the Malakim (supernatural spirits with magical abilities), and Daemons (humans afflicted by a disease known as Daemonblight, which causes the infected to lose humanity and rationality). The events of Berseria takes place in the same world as Tales of Zestiria, and will take place several years prior to the events of that game.īerseria is set on the continent of Midgand, a Holy Midgand Empire, a powerful country that rules the countless islands of the immediate area. Those who cannot wait can whet their appetite on the demo which is available both on the PS4 and PC. Tales of Berseria, comes to the western world later this month – January 24th for America, 27th for Europe – and fans of the series are eagerly waiting to experience the sixteenth addition to the Tales of series. 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